We're looking for submissions for our sixth issue, published on 1 August 2015. There is no "theme" as yet, but we're seeking prose, poetry and articles with a raw, urban theme. Submissions close on 18 July 2015, and we will notify successful contributors shortly afterwards.
Please read our Submissions Policy before submitting work to us. Your piece of work may well be fantastic, but it probably won't be right for The Literary Commune and we'd be unable to publish it.
Thanks in advance for your interest. We're all looking forward to reading your submissions, even the ones we cannot publish.
Shaun M
Editor
The Literary Commune
Saturday, 27 June 2015
Thursday, 4 June 2015
Issue Five
Cover by Aldrin Barter
Our BritLit Special, featuring a full colour cover by Aldrin Barter, though these copies are limited to subscribers and selected outlets.
Televisions
in Heaven by Ewan Morrison
Arcadia
Planitia by Joe Hakim
Remembrance
by Jeremy Young
White Field Green Sheep by Jeremy Young
Funny
Money by Thomas McColl
Open
Mic by Thomas McColl
Unfolded Tongue by Yuxing Xia
Love Disjointed by J.S. Watts
A
Process by Terence Corless
The
Siren in the Palace by Terence Corless
Waterlow
Sunrise by Mark Piggott
Diversity
by Shaun Stafford
Sore Losers by Ian Parris
Julia’s Joy by DJ Tyrer
Wally
by Martin Knight
Fourtold
Chapter 5 by Ray Hyland
Have
Faith … in yourself by Mike Williams
Labels:
DJ Tyrer,
ewan morrison,
Ian Parris,
J.S. Watts,
jeremy young,
joe hakim,
mark piggott,
martin knight,
Mike Williams,
Ray Hyland,
Shaun Stafford,
terence corless,
The Literary Commune,
thomas mccoll,
Yuxing Xia
Monday, 1 June 2015
A note about Twitter
We generally post up-to-date information on Twitter, and you might note that we don't seem to follow many people. Mainly, on Twitter we follow authors we've published or are due to publish, and venues/locations/outlets where you can find copies of The Literary Commune. Please don't be offended if you follow us and we don't follow you back. Our Twitter guy, Neil, still reviews the feeds of everyone who follows us on a regular basis, to see what's happening in the wider world of writing. It just makes it easier for us to instantly see tweets from writers we've published and venues who promote us if we don't follow everyone.
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